3D

Robert Del Naja's painting and graphic design work have represented the music of his band for over a decade, from the symbolic cover art of Blue Lines and Protection to his collaborative work with Tom Hingston and photographer Nick Knight dramatically realised on mezzanine and 100thwindow. Under his tag 3D was a central figure in the Bristolian graffiti movement that would eventually spawn Banksy. Like his music, 3D's art is both modern and grounded, challenging and beautiful, industrial and ethnic. The conscious elements of the pieces are a reminder thatMassive Attack were outspoken on social and international issues long before Michael Moore's populist documentaries gave this generation a pass to question the establishment. This is the first time 3D's extensive body of work is available to a wider audience than a few people in Bristol, and the music industry.

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